Jab Tak Hai Jaan - In a time dominated by South Indian remakes and illogical stunts comes a movie that is so refreshingly different from those mindless sagas. A movie that connects to that Old World charm and beauty of a special feeling called Love. A movie that will make you feel good about life and gives you hope about love. Though an Love Story on the surface, the movie has its own layers of emotional undercurrent running from its inception till the last frame.

And The Great Yash Chopra is not called a LEGEND just like that, he justified his legendary status yet again with a MASTERPIECE.

And there is no match for SRK when it comes to intense roles. He excelled in a role tailor made for him only. When MR Bachhan calls his' act as "THE BEST" after Swades, who are we to comment on that. Still, I believe this movie will not appeal to all, as not everyone is born with a good taste and we can't help it.

We see Major Samar Anand (Shah Rukh Khan) being the shining star of the Indian Army's bomb disposal unit, clocking almost close to a hundred IED diffusion and doing so in daredevil fashion. Some call him the man without fear, while others coin the term the man who cannot die, because his job is high risk, but he doesn't take the necessary precautions. The routine involves going off for a little quiet time for himself after having stared death in the face, but this time round got rudely interrupted by the vivacious Akira Rai (Anushka Sharma), who is adamant to get a stint with Discovery Channel, and chanced upon Samar's diary of sorts which got left behind.

And this natural flashback provided a look into the Major's past before his army career, being a multiple job holder in London in order to make ends meet, from shoveling of snow to the waiting on tables, to being a fishmonger, and busking in the streets. Fate allows him to meet poor little rich girl Meera (Katrina Kaif), and before you know it, their constant interaction to exchange tips in the learning of languages form the basis of their relationship, even though Meera is engaged to a rich scion. I suppose no girl can resist the charms of a man who can serenade at multiple London landmarks, and dance the way SRK does.

But here's the catch which I thought was an extremely bold move. Religion comes into play, and this takes on proportions and depth of discussions about how some put religion as priority, having empowerment over their lives, that it could sometimes lead to paralysis of sorts. To save Samar's life, Meera makes a pact with her spiritual father, and I suppose only a bet as big as exchanging one's happiness with the life of another, can bring that prayerful wish to fruition. But this causes bitterness in Samar because how can one do battle with Jesus? It's almost impossible, but if this rivalry of one's heart, toward man and toward god, isn't colossus, then I don't know what is.

I suppose what Yash Chopra's story was trying to say, is that without love, or keeping the faith, one's life can get really inward and withdrawn, losing that fun element with all things going really serious, and at times, reckless. Samar goes back to India and fulfills his family lineage of military men, but chooses the riskiest of professions, if only to tempt the higher being at taking his life away, and in such fashion to put a dent in his ex lover's faith. Akira enters the picture, and finds this old fashion love of the previous decade a lot more meaningful than the present throwaway ones that centers around physical love. The second half after the intermission sees the relentless pursuit Akira has for Samar, only for her constant advances to be continuously rejected, because in essence, Samar's heart was locked in on another, and left for dead.

As if that wasn't enough - with how Samar has turned into a Meera even without his knowledge, in shutting people out - Yash Chopra has more up his sleeves when he has to put everyone together, forming tremendous tension especially when throwing in one of the oldest plot elements in the book for a romance, albeit too with one too many hospital stays. It's decision time, and you'll find yourself taking sides as to who Samar should eventually end up with, after having emotionally invested an hour with each heroine. Characterization here is top notch in making everyone of them rich and real, that you'll probably see shades of yourself, or people you may know, in one or more of the leading protagonists.

Shah Rukh Khan once again shows why he's one of the leading men in Bollywood, with his fine all round performance in being a younger man who is full of zeal, hope and life, with the world ahead of him given his hard work, and yet balancing that out with a more sullen, serious look as the hardened military man with a death wish, nursing a broken heart and resigned to the impossibility of challenging god. Between the two leading ladies, it is difficult to pick who actually had an edge over the other, but if it's a personal choice, I'd give my vote to Anushka Sharma if only for her assured portrayal of a bubbly personality who knows what she wants and is a go getter, being in for a challenge when encountered with emotions she has yet to handle, compared to the more indecisive character that Katrina perfectly portrayed, in what would be a classic Yash Chopra model of the unattainable femme fatale responsible for the total breaking of hearts.

Cinematography is great, as you would come to expect from a Yash Raj production, with lush costumes, glossy production and art design, sets and locales being nothing but the best to put you in the mood for love, and love lost or broken. Music by none other than A.R. Rahman also lifts the film into epic greatness, befitting a contemporary love story of our time. If anything, Yash Chopra's parting gift through his films, and this one in particular, is a reminder to keep the faith, that love will come in good time, and to remember to live life, not be afraid of it. A definite must watch backed by all the right reasons.

The Late/Great Yash Chopra changed Romance in Indian Cinema. With his ever-lasting, heartfelt or even sometimes tragic love-stories, Chopra proved his mettle time & again. A Career Spanning Decades, Chopra made films even till his last breath & 'Jab Tak Hai Jaan', his final film, has released.

'Jab Tak Hai Jaan' isn't Yash Chopra's finest film, but its a shining example of the late filmmaker's maddening love for cinema & love, itself. 'Jab Tak Hai Jaan' isn't half as good as it ought to have been, but the storytelling is passionate & I appreciate that.

'Jab Tak Hai Jaan' tells the story of of 3 individuals, who are connected to each other by only 1 common feeling: LOVE.

The Screenplay Written by Aditya Chopra & Devika Bhagat, is flawed & appeals in parts. The Twists & Turns in the narrative aren't particularly effective, but some sequences genuinely are magical. Yash Chopra's Direction is Magnificent, as always. Anil Mehta's Cinematography is Stunning. Editing is sharp. Music by A.R Rahman is outstanding.

Performance-Wise: Shahrukh delivers sincerely. His performance as the struggling musician is endearing & his turn as an army officer, is fair. Katrina Kaif is her usual self. Anushka Sharma is terrific, she brings so much energy to the goings-on. In cameos, Rishi & Neetu Kapoor are noticeable.

On the whole, 'Jab Tak Hai Jaan' is a love-letter by one of Indian Cinema's Greatest Storytellers.