I really enjoyed this.

Sort of found footage, sort of faux documentary, I really loved how this movie was presented.

David Dastmalchian is really very good. And the supporting cast are enjoyable, particularly Ingrid Torelli.

This movie is pretty creepy, and there are tones of exorcist and of VHS 85. There's a kind of Faustian deal at the stories core that I really liked and I found myself smiling quite a lot during the third act.

This movie may not be for everybody. It's obviously not big budget and the effects may not land with everyone but I thought it was a whole lot of creepy, campy fun.

It is 1977, and Johnny Carson reigns supreme over the world of late night television. Looking to usurp his throne is Jack Delroy, host of Night Owls, a programme that has always played second fiddle to Carson in the ratings. Delroy thinks the show he has planned for Halloween night will finally land him the top spot on the Nielsen ratings list. A psychic, a conjurer-turned-sceptic and the sole survivor of a Satan-worshipping cult are to be his guests- though when the broadcast gets underway, his dream show turns into a nightmare.

Written and directed by Colin and Cameron Cairnes, 'Late Night with the Devil' is an original, enjoyable comic-horror packing chills and thrills a-plenty. Taking on the form of a piece of found-footage, the narrative has some genuinely unsettling moments, which are very well-realized; a worm-filled display of conjuring power in the latter half being particularly hard-to-forget. Furthermore, the Cairnes brother's characterisation and satirical take on 70's programming is consistently entertaining, if not exactly profound, and their dialogue is sharp.

However, the whole affair is rather predictable, with the denouement effectively given away in the film's opening minutes. In addition, although much mention is made of the rivalry between Delroy and Johnny Carson, Dick Cavett- whose show Delroy's more closely resembles and who, in reality, was often a close second to Carson ratings wise- never comes up. Neither, in fact, do the numerous others who had late night style shows at the time; which seems like an oversight.

Further, the found-footage gimmick doesn't make much sense, as during the ad-breaks that would have occurred in the broadcast, the film adopts a documentary style- begging the question: why were there two documentary cameramen filming a behind the scenes look at a show that doesn't do particularly well in the ratings?

Despite that, it is a fun film, and a fine looking one to boot. In fact, the only reason that the aforementioned issues with realism matter at all is because the 1970's visual aesthetic is so faithfully recreated. Production designer Otello Stolfo, alongside costume designer Steph Hooke, perfectly capture and reproduce the look and feel of a 70's, Dick Cavett-style talk-show, from the orange and beige dominated colour scheme to the cartoon intertitles- created with the help of AI.

Moreover, director of photography Matthew Temple makes clever use of the traditional three-camera set-up, lending proceedings additional authenticity. Furthermore, Glenn Richards' score is stirring, while Roscoe James Irwin's arrangements with The Night Owls Studio Orchestra are headily atmospheric. Additionally, the special effects and make-up are effectively disquieting and the aforementioned sequence involving worms features some truly stomach-churning practical effects.

David Dastmalchian, starring as Delroy, gives a thoroughly convincing performance as one powered by ambition, willing to risk it all to get ahead. He carries the film squarely on his shoulders, working well with his co-stars, all of whom do fine work. Ian Bliss is particularly good, as the arrogant, James Randiesque sceptic Carmichael Haig, as is Fayssal Bazzi as the psychic Christou, whose abilities might be greater than even he thinks. Although each of the characters are essentially one-note parodies of real people; the cast elevate them nevertheless.

An entertaining comic-horror, Colin and Cameron Cairnes' 'Late Night with the Devil' may not be perfect, but it is an awful lot of fun. The production design and costumes effectively harken back to the 70's, while Glenn Richards' score is stirring. Boasting brilliant practical special effects and make-up, as well as a frighteningly strong performance from star David Dastmalchian, 'Late Night with the Devil' is well worth staying up for.