"Morán" (Daniel Elías) concludes that his dreary drudge at the bank over the next 25 years is only going to earn him $325k so rather than slug it out, he decides to pinch double that then ask his unwitting colleague "Román" (Esteban Bigliardi) to hide the cash whilst he does his prison sentence. That way, they can both enjoy a pleasant early retirement. The theft all goes remarkably easily and before he turns himself in, our thief goes for a bit of a road trip then goes to the police to confess all and receive the anticipated jail term. After a bit of a rocky start, and the transfer of some "protection" money, his incarceration settles down into something fairly uneventful for "Morán". The same can't be said for his friend on the outside. Though he had a cast iron alibi for the time of the robbery, his bank bosses gradually begin to think he is in some way involved - and they start to make his life a bit miserable. Despondent, he travels to a remote town to hide the loot under a boulder - and that's where he meets "Norma" (Margarita Molfino). With things not going too well at home with wife, children and his anxiety, well you can guess what happens... Now we have an interval - a rather pace-sapping exercise before part two fills us in on just what happened when "Morán" went on his journey. Small world? I wondered if there might be a clue here in the names all being anagrams of each other? We have a "Morna" too! Otherwise, this is a rather nondescript drama that takes far, far too long to get anywhere - and even when it does, it sees to have no desire to conclude with anything meaningful. Right from the beginning, it takes a swipe at all things routine and regimented, and seems be offering both men an opportunity for (eventual) freedom, but the substance to the plot is just really lacking as we rather meander through an observational and not really very interesting story that just never catches fire.

Filmmaker Rodrigo Moreno creates a three-hour long heist drama with some interesting dynamics and concepts explored within the setting of the narrative and while Moreno does provide some strong elements, it isn't strong enough to withhold the entire movie.

Throughout, the camerawork, production and the sound design is pretty good as it helps capture the environment and tone. Many of the performances from the cast members are pretty good with some interesting dialogue and concepts explored. Moreno's direction is pretty solid as well. The narrative is a slow-burn heist drama movie that explores different themes including bank robbery, capitalism, freedom and so forth and the narrative does explore some of these concepts well but at the same time, not so well. Because the structure of the narrative feels uneven as if the narrative is a bit lost on what it is trying to be or wanting to tell.

Due to the uneven structure, it causes the story to feel a bit messy as it the first 1-hour is amazing but the rest feels a little convoluted or a bit lost. Which causes the run-time to feel a little exhausting and unfulfilling. There are some good soundtrack choices, some of the characters are interesting but some could have been explored a bit more.

Overall, Moreno definitely has a vision with this movie and it's a decent achievement from him and Argentinian cinema. But it could be stronger.

This is an incredibly original piece of cinema. It mixes philosophical tale with a bank heist which really is not the centre part of this movie. The centre part of this movie is a reflection on modern living and the insanity of the race to do things faster the pointlessness of the modern lifestyle, or something akin

The slow deliberate rhythm of this film seems to be a stumbling block for many personally I wish it carried on for a couple more hours ; it leaves us at the end with a lot of unfinished business a lot of untied loose ends

And maybe that is exactly what is needed but it could've gone so many other ways

The director and the scriptwriter (one and the same) made some choices here and they will please some and leave others guessing

It can take a while to see that something is happening that is worth watching if you stick at it you will be rewarded with a very unusual tale .... touch of Rohmer (the highest accolade possible) touch of Antonioni (also the highest accolade possible) ???

A movie for thinkers romantics and dreamers ...... others will not like this i would surmise ....

For me a solid nine. Oh yes and this is definitely a comedy not hahaha but subtle and simmering ....

PS and then the penny dropped the face of Esteban Bigliardi kept reminding me of another actor and it was French-Italian Yves Montand ... so an Italian face then.