The pace of life of those not at war is slow - in fact, it is so slow that Time is a main character in the screenplay and should have been paid a salary. The servants, always at the beck and call, have little to do waiting on her ladyship who at least has her leisure to keep her occupied. However, there are scenes of rural settings that help alleviate the press of time somewhat as does an excellent soundtrack.
The Portuguese Woman
2018 [PORTUGUESE]
Action / Drama / History
Plot summary
North of Italy, the von Kettens dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that 'foreigner' in the castle. Some say she's a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten's life. Will the Portuguese win, where death seems to be moving in?
Uploaded by: FREEMAN
August 03, 2020 at 09:53 PM
Director
Top cast
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Pretty but the Brechtian acting makes it too distant to really involve
Artistically beautiful, but soulless empty.
I'm Portuguese so I figured I'd give this film a chance. How wrong was I.
"The Portuguese Woman" looks and feels like an artistic motion picture directed by Wed Anderson, except that the story and characters aren't really intriguing to watch. The film is about two hours long and by thirty minutes later I already felt I had seen over an hour!
Also, I agree with the other reviewer that the actress (Clara) whom played "The Portuguese Woman" wasn't actually Portuguese, but by nationality. She is stunningly beautiful, that's for sure.
5/10 feels like a fair score for this though anything less wouldn't be surprising either.
An ensemble of tableaux
The photography, lighting, decor, costumes, and sets were outstanding, of painting-like quality. The craft and obsession with detail were obvious throughout. If Movies were made of a collection of small moments of visual pleasure this would have been a 10. But, in the tradition of a certain kind of cinema (Manoel de Oliveira is an obvious reference to cite here, in both good and bad) there were issues with character development, artificial dialogues that lend the characters less compelling than they could be, and pace that is often ludicrous (with singing in between, that I'm sure made sense at the time, but...) and confuses the story, making it almost as unbelievable as any Marvel-type effort.