This is my first time writing a review so don't the judge me. Single Clubs is defiantly not Tyler Perry's best work. After watching the trailer I was convince this was going to be a funny memorable movie. Boy I was wrong. It was slow , boring and the dialogue was poor. Not even Nia Long could save it. There were a few laughs here and there I give it that but it just showcased the boring lives of five single women and there bratty kids. I took two bathroom breaks while watching it in the theater and didn't feel guilty at all. I didn't learn any mortal lesson from watching this. The only memorable performance was Terry Crew's character. Over all a forgettable film. Peach out.

. . . SINGLE MOMS CLUB's producer\writer\star\director Tyler Perry pays homage to another long-gone American vestige of yesteryear, The Middle Class. Though The Middle Class admittedly is a little more recent in our collective memory today than the Plantation Class was for GWTW's initial viewers in 1939, that does not mean that history will validate the rosy picture Perry paints here any more than GWTW is taken seriously today. The Motion Picture Academy effectively just canceled out GWTW's "Best Picture" Oscar by giving the same award to 12 YEARS A SLAVE, which sets out to prove that GWTW's "happy plantation days" are one big, fat lie. Mr. Perry bravely ignores this current rebuke of racial stereotyping, making the white prep school principal and white single mom "Hillary" total ninnies in the old "step-and-fetch-it" tradition of directors lampooning their differently-raced actors with the most demeaning caricatures possible. Showing white single-mom "Jan" totally tone deaf and rhythm-challenged is no different than Thomas Edison's company filming Blacks eating only watermelon and fried chicken in 1900. Kudos to the three white actresses taking on these sure-to-be-controversial parts, despite the risk of their being labeled as "race traitor Aunt Thomasinas" for the rest of their film careers. A 12 YEARS A SLAVE-style antidote already is available on-line to document the actual last gasp of the American Middle Class: it's titled REQUIEM FOR A DREAM.