Sensitive director Patricia Riggen has, in LA MISMA LUNA (UNDER THE SAME MOON), succeeded in creating a story about the travails of the illegal immigrants from Mexico that serves as a reminder to all of us that one of the reasons for the obsession to take the risks of crossing the border is an attempt to find a better life. While this story concept is by no means a novel one, writer Ligiah Villalobos has provided a script that avoids taking sides, but instead concentrates on creating wholly believable characters caught in the web of immigration - from both sides of the wall. This little film from Mexico is, above all, a film about love, about courage and about resilience and is portrayed by a very fine cast in every role.

Rosario (Kate del Castillo) is a single mother who crossed the border four years earlier in order to support her young son Carlitos (a superb young actor, Adrian Alonso) and her ailing mother by working double jobs as a housekeeper in Los Angeles. She keeps in touch with Carlitos with weekly phone calls and sends him gifts as well as money and love. When Rosario's mother dies, Carlitos takes life into his own hands and plans to cross the border with a little help from his experience with a wise old lady Coyota (Carmen Salinas) who aids immigrants. With his savings in his backpack and his heart aimed toward Los Angeles he sets out on his journey and is thwarted at every turn. He is picked up by two Hispanic students from the US (America Ferrara and Jesse Garcia) whose attempt to transport Carlitos is halted at the border - with the little Carlitos hidden under the seat of the now towed away car. Carlos escapes from the car in El Paso, meets up with some illegal workers who are arrested, leaving the hidden Carlitos with a reluctant companion Enrique (Eugenio Derbez) who is able to aid Carlitos (reluctantly!) to escape to Los Angeles. Through many 'jobs' and untoward situations Carlitos finally finds his way to the spot where he hopes he will meet his mother.

The rhythms of the cinematography, the sets, the flavors of both sides of the border, and the music that accompanies the film all contribute to making this story real and believable - and VERY touching. While Kate del Castillo is the major star of the film, it is the performance by Adrian Alonso that remains in the mind long after the credits are shown. Some viewers may find this film a bit too 'novella-like', but the magic that Patricia Riggen pulls from her large cast and verismo directing style will touch the hearts of most everyone. A fine little reminder of the other aspects of the Immigration topic! Grady Harp

I just saw this movie through the Los Angeles KCET Movies Series and it was absolutely fantastic! While the movie does contain a subtle political message, it is not meant to sway the audience in the illegal immigration debate. The story carries extraordinarily well with a subject as touchy as illegal immigration and cannot exist without it. Utilizing a theme of abandonment, the movie explores what it means to truly care for and cherish a loved one. With brilliant acting (Adrian Alonso is incredible!), fantastic direction, and a terrific screenplay, the movie is a wonderful, heartfelt journey that brings laughter, sadness, and a sincere sense of happiness into an enjoyable, movie-going experience.

This certainly lived up to expectations of being "a nice movie," an involving story about a young Mexican boy who sneaks into the United States to try to find his mother in Los Angeles. She had been in L.A. for four years and, frankly, I forget why. They don't dwell on that, but there must have been a good reason since she loves the kid and vice-versa. Each Sunday morning at 10, she calls him from the same spot. That's a key to the story.

When the woman's mother dies, "Carlito's" grandmother who had been looking after the young boy, the kid decides his options aren't good at that point and he needs to take a big chance to see if he can find his way to Los Angeles. Yes, you have to suspend your beliefs here a bit, as the odds on a kid actually being able to do that - all with no money! - are astronomical, but it's fun to watch him on his journey and how he makes do with what little he has. Some of the friendships he makes are truly touching and in a way, the best part of the film.

While writing this, it makes me flashback to the film "The Straight Story" when an old man on a tractor drives 300 miles across Iowa to see his long-lost brother. He is befriended by many people along the way, some who go to extraordinary lengths to help a stranger. That's the case here, too.

We also get a good profile of the mother, her best friend and a wonderful man she meets during this story, which takes place in one week. Each "chapter" of the film is broken down into days. Yes, the film is slightly preachy concerning immigration but the story is so good that one forgets about the political aspect, no matter side one is on.

This is a pretty solidly-made film, from directing to acting to the visuals but it's the story that will hook you in early on and you aren't able to let go until the end. The last half hour will keep you on the edge of your seat, wondering exactly things how will turn out. That's good, because it means the movie is entertaining. Definitely recommended.